David Peel DAVID PEEL

David Peel

The Street Musician · 1942–2022

Have a marijuana.

THE VERSE 124

THE VERSE

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The verse is the foundation. The chorus gets the glory but the verse does the work. The verse is where the story lives. The verse is the argument. The chorus is the verdict. But the argument earns the verdict. Without the verse the chorus is just a slogan. Without the verse the chorus has nothing to stand on. The verse is the part of the song that most people do not remember and that is fine because the verse did its job if the chorus lands. The verse is the runway. The chorus is the flight. Nobody remembers the runway but without it the plane does not leave the ground.

Bob Dylan wrote Blowin' in the Wind. Three verses. Each verse is a list of questions. How many roads must a man walk down. How many seas must a white dove sail. How many years can a mountain exist. The questions are the verses. The answer is the chorus. The answer my friend is blowin' in the wind. The chorus would mean nothing without those questions. The chorus is famous. The verses are the reason the chorus is famous. Dylan understood that the verse is where you earn the right to say something simple. You cannot say the answer is blowin' in the wind unless you first ask the questions that have no answer.

Bruce Springsteen is the greatest verse writer in the history of rock and roll. The River. Three verses. First verse he meets a girl. Second verse they get married and the union card and the wedding coat. Third verse the river is dry. Three verses and you know everything about two people and what America did to them. Springsteen does not waste a word in the verse. Every line is a photograph. Every line is a year of somebody's life compressed into one sentence. The verse is where Springsteen lives. The chorus is where he visits.

On the corner the verse was everything. The verse was where I told you who I was and why I was standing there and what I had seen that morning. The chorus was the hook. The chorus was have a marijuana. But the verse was the part where I looked you in the eye and said something true. The verse has nothing but the truth and the truth does not need a hook. The truth does not need fifty thousand people singing along. The truth needs one person listening. That is the verse. One person. Listening.

Write a verse. Not a chorus. Not a hook. A verse. Four lines that tell somebody something they did not know about you. That is the whole assignment. The chorus is for selling. The verse is for living. And living and selling are not the same thing and they never will be and the day you confuse them is the day the song dies. The verse is alive. The verse is always alive. Because the verse is the part of the song that does not care if you remember it. The verse cares if you felt it. And feeling and remembering are not the same thing either.

See also: The Chorus · The Bridge · The Cover · The First Song · The Busker · The Guitar · The Audience · The Hook · The Lyric — the part that gets you arrested. The evidence. Everything else is the getaway car.
THE VERSE